The Get Down vs. Stranger Things

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The Get Down and Stranger Things share a nostalgic feel that give each show context before they’re even viewed. But the stories are vastly different, and play on different sets of moods and feelings.

The Get Down is thick. Between the teenage drama, history of hip-hop, portrayal of Bronx street life, and New York City politics in the 70s, there’s a lot to take in. Even if you don’t bother to do more research on hip-hop’s founding fathers, Mayor Ed Koch, or the social forces that made burning buildings and lucrative disco clubs real, piecing together the impact of all of these parts in the show makes every episode extremely rich. This isn’t to say Stranger Things lacks complexity in its story-telling. However, The Get Down forces you to realize the shit going down in the show represents actual people and things that existed not too long ago. Trying to wrap your head around a character like Shaolin Fantastic, and then realizing a Black male in their early-20s could easily have been doing half of the things Shao does in the show is wild.

Where there’s a wealth of information and context to further increase your understanding of The Get Down, Stranger Things keeps you guessing. As fascinating as The Get Down can be, Stranger Things is much more likely to get you to binge-watch. It’s mystifying. An episode of The Get Down can feel very satisfying. But every episode of Stranger Things leaves you at, “What the fuck?” You have to know more. You have to find out. And it’s creepy in a legit back-in-the-day unsolved mystery kind of way.

You and your friends after every episode of Stranger Things

The casts of both shows are extremely lovable. As far as The Get Down goes, who doesn’t think Jaden Smith is interesting? Meanwhile, Shameik Moore going from geek in Dope to hardened Bronx hustler is impressive. Between the quest of their crew, Mylene’s dealings in the music industry, and Papa Fuerte’s political finessing, the show’s characters are so full of color and difference. A number of smaller realms overlap from time to time, like when Zeke gets the internship with Mr. Gunns through Papa Fuerte, or when Shao harasses Mylene for being a disco singer. Disco versus hip-hop, the streets versus the politics; everyone in The Get Down has a new story they’re trying to write in the midst of Bronx craziness.

“You’re the wackness!”: Disco fans and artists (Mylene, left) couldn’t stand the “scratchy shit” that we now know to be hip-hop’s roots (Shao, right). DJs considered vocals on disco records to be “the wackness” before “the get down”, or the drum beat in a record a DJ would loop for an MC to rhyme over.

The cast of Stranger Things delivers amazing performances, and the stars are a lovable group of friends. Dustin, the lisping voice of reason, is frickin’ cute. Mike is intelligent, has a crush on Eleven, and spearheads the group’s efforts. Lucas’ ass always seems irritated with someone, but he comes through. Not to mention a nerdy Black kid tends to be a good look. And Eleven, she throws things…with her mind. I don’t need to say anything else.

Between the Fantastic Four Plus One and the team of Lucas, Dustin, Mike, and Eleven, it’s hard to decide which crew is better. Between a dimension-bending kidnapping and a clash of social and cultural forces, it’s hard to decide which storyline is more exciting. But both shows are wild successes and offer great variety to Netflix’s original programming.

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